After reaching a self-proclaimed ‘dead-end’ with photography in 1975, Alex Webb, who until then had been photographing the American social landscape, felt he was making work that had no resonance.
Webb, found his attraction to Mexico growing, intrigued by the fact that it was so close to the US but so fundamentally different, and charted a new course. Inspired by the works of Graham Greene, he began a relationship with the country that would last decades and culminate in his masterwork: La Calle.
The photos collected in La Calle are so remarkably complex that one is immediately astounded by their existence. Initially shooting on black and white film, Webb soon discerned that a monochrome palette was inadequate to express the richness and vibrancy of the Mexican landscape. Realising that here, life itself was more than black and white, Webb quickly embraced colour.
The result was hundreds of lush multi layered images, shrouded in shadow and light, capturing the chaos of the street in a way that was almost staged, as though Webb himself was the director of a national play.
Trying to avoid preconceptions, he allowed his camera to lead him everywhere and anywhere. During his frequent visits to the country, he crossed the border to the US illegally with Mexican migrants numerous times in order to further understand their plight.
Hence Webb’s vision of Mexico is cleary not that of a tourist in a foreign land, but occupies a strange territory that blurs the lines between documentary and fiction. Truly immersing himself in the Mexican culture and masterfully capturing its surrealist essence, perhaps Webb gets closer to the true fibers of the country than any anthropologist could hope.
La Calle is a collection of 30 years of roaming through dizzying and chaotic streets, and Webb’s attempt to make order from the chaos. Flicking through the pages of the book is a different experience every time- new details always make themselves present, stacked foregrounds and backgrounds allow Webb to pack each image concisely with vitality; plot lines can be assumed and imagined throughout. Regardless of tone, each photograph complements Mexico’s rich street life and culture in a way that no other photographer could achieve.
“We come from a culture that in its roots comes out of Protestantism, capitalism and individualism… Mexico’s roots lie in Spanish Catholicism, the indigenous world and a communal culture. Mexican culture seems to embrace mystery.”
– Alex Webb
La Calle includes essays by the Mexican writers Guillermo Arriaga, Álvaro Enrigue, Valeria Luiselli, Guadalupe Nettel and Mónica de la Torre and ends with an excerpt by the Mexican poet Octavio Paz, from “La Calle” (The Street):
A long and silent street.
I walk in blackness and I stumble and fall
and rise, and I walk blind, my feet
stepping on silent stones and dry leaves.