Pieter Hugo’s self-reflective project <i>'Kin'</i> is a confrontation of roots and a discourse on the politics of family. Shot over the course of a decade, <i>'Kin'</i> focuses on Hugo’s life experience in his native country, a place defined by centuries of cultural and racial tensions.

Renowned for his penetrative self-portraiture which explores pan-African identity, photographer Samuel Fosso has led to his epithet <i>‘the man of a thousand faces’</i>, is widely regarded as one of Africa’s most important contemporary artists.