Pieter Hugo’s self-reflective project 'Kin' is a confrontation of roots and a discourse on the politics of family. Shot over the course of a decade, 'Kin' focuses on Hugo’s life experience in his native country, a place defined by centuries of cultural and racial tensions.

War photographer Jonathan Alpeyrie was on assignment in Syria when he was kidnapped and held captive for 81 days before being bought by a terrorist who thought his good deed would get him off the no-fly list.